Eakins Biography
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Thomas Eakins (1844 -1916)
Thomas
Eakins was born in Philadelphia, where he would spend most of his life. From
1866-70, he traveled to Paris to study with French masters. He gained
admission to the prestigious Ecole des Beaux-Arts and entered Jean Leon Gome's
atelier on October 29, 1866. He enjoyed Gome's meticulous drawing and
exhaustive research for his oriental and historical paintings. As his training
progressed, his letters to his father reveal a growing antagonism with the
French academic's preoccupation with classical subjects. Even though Eakins
love for Gome never abated, he began to study on his own, and he later entered
the atelier of Gome's friend, L' Bonnat, in 1869. He preferred the broad
tonalities of Bonnat's paintings to that of his former teacher, but it was in
Spain that he would find his true artistic allies. While visiting the Prado in
Madrid, he discovered the tonalities and loose brushstrokes of Diego Valezquez
and Jusepe Ribera, both of whom would deeply affect Eakins' art throughout his
entire career.
Although today, Eakins is often heralded as the greatest American painter of
the nineteenth century, his artwork found little success in either American
collections or by the critics. Americans at the time preferred the bright
colors and classical idealism of artists like William Bouguereau and Alexander
Cabanel to the muddy tonalities and gritty realism of Eakins, as best
exemplified by his 1875 painting The Gross Clinic. In this painting, a
surgical operation comes to life in all its reality: students look on with
scientific fascination as bloodstained surgeons operate on a patient. The
patient's wound is displayed in all its graphic detail, and the chief surgeon,
Dr. Gross, stands lecturing to the students, as a woman in the lower left
covers her face in shock. From our vantage point a hundred years later, the
antagonisms between Eakins and other academics of his time seem of minor
consequence considering the unquestionable high quality of the best on both
sides of those arguments, especially compared to the destruction of standards
that was soon to follow. The re-appreciation well underway of all these great
19th century masters is long overdue.
In 1876, he began teaching at the Pennsylvania Academy and focused on the
fundamentals of drawing from the nude. He was forced to resign in 1886 because
he allowed a class of students of mixed sexes to draw from a nude model.
It was not until the early teens of the twentieth century, fueled by spokesmen
such as Robert Henri, that Eakins' reputation began to grow. By the time of
his death on June 25, 1916, his reputation as an artist enjoyed extensive
re-evaluation, and he was honored by a memorial show in 1917 at the
Metropolitan Museum of Art.
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